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Tiffany Bronze and Porcelain Mantel Clock, Franc

Tiffany Bronze and Porcelain Mantel Clock, France, 19th century, gilded foliate and banded borders, polychrome enameled band with children at play, bronze framework, the draped dial topped with two nymphs holding a shield, the works impressed Tiffany & Comp., ht. 16 1/2 in. Condition report Condition: The cover broken in half and simply repaired; gilt […]

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Gilt-bronze and porcelain mantel clock, circa 185

Gilt-bronze and porcelain mantel clock circa 1855 by japy freres & cie The enameled dial with Roman numerals, gilt and floral details, the movement stamped Japy Freres & Cie 1855, Grande Exposition, the drum shaped case surmounted by a bird and foliate-cast finial, the case with porcelain inset plaques decorated with musical trophies and a […]

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Anchor Mark Porcelain Cherub Clock

Anchor Mark Porcelain Cherub Clock: open work base; floral with cherub and dove; works numbered 10986; porcelain dial Alex M. Hayes New York. Has pendulum. (Small chip on dial on the 30 minute mark; flowers and leaves chipped; the cherub’s arms have been broken off and repaired; not running.) 13″ All items sell As Is, […]

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FINE SEVRES STYLE COBALT & GILT PORCELAIN CLOCK

French porcelain and gilt metal mantle clock in the Sevres style, c. 1890, of urn form with removable lid, classically decorated with acorn finial and lion masque loop handles, the central clock face behind a glass door bejeweled with clear stones, embellished face marked Luppens & Cie, Bruxelles, works stamped S. Marti (France), a figural […]

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Porcelain Lady's Boudoir Clock

Lady’s boudoir clock. Blue and white porcelain. Battery operated. Battery not included. Code: 6355 Images Click on thumbnails to see larger images:

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230122075: MEISSEN PAINTED PORCELAIN FIGURAL CLOCK OF T

MEISSEN PAINTED PORCELAIN FIGURAL CLOCK OF THE FOUR SEASONS ON A PAINTED PORCELAIN STAND. c. 1850 Height: 24″ *Condition: Overall condition is good. Mark of clock maker is illegible. Overall dirt accumulation to crevices, as expected with age. Three of the figures sustain no evidence of damage, loss or restoration, with all limbs in tact […]

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